Great review by Kirk Honeycutt in The Hollywood Reporter, with a snippet on production value that I’m obviously going to take as a direct compliment: “This behind-the-camera support team does fine work that doesn’t allow a limited budget to get in the way. Happy represents the happy side of indie filmmaking, where a movie achieves studio-level production values but thankfully without the gloss and language-police that invariably accompanies romantic comedies.” See how he was talking about the string arrangements there? See that?

Whatever, go see it.